RMIT University

Assoc Professor Peter Ellis

Position

Studio Coordinator, Painting

School /
Work Unit

Art

Contact Details

+(61 3) 9925 2838

peter.ellis@rmit.edu.au

Location

Building: 2
Level: 4
Room: 9

City Campus

College/Portfolio

Design & Social Context

Key Activities

Peter Ellis has produced paintings, drawings, prints, objects, books and multiples, since 1975. He is an Associate Professor and Discipline Leader in Painting within the RMIT, School of Art. Peter has been awarded a BA with distinction [RMIT, 1978] and MA [RMIT, 1996] Titled: To explore the expressive possibilities of the new media with a view to extending the electro-mechanical means of reproduction to the edge of unfamiliar surreal territory.

He has held 16 solo exhibitions including ‘Arkhive; The Secret Language of sparks, selected works 1991-1995 at The RMIT Gallery in 1995.

His work has been selected for over 147 group exhibitions throughout Australia and in Japan, UK, USA, Korea, Singapore, Thailand and Germany. Including; Prints and Australia, pre settlement to the present day at The National Gallery of Australia 1989, Field to Figuration at the National Gallery of Victoria 1986, Backlash- The Australian Drawing Revival at The National Gallery of Victoria 1986, Diversity in Australian Art at The Museum of Modern Art, Saitama Japan 1987,’Other Worlds, Images of fantasy and fiction at the Queeensland Art Gallery 2003

Awards and Residencies include Australia Council, Visual Arts/craft Board overseas studio residency to New York USA 1993, Artist in Residence at the Victorian College of the Arts 1986.Awarded the Ninth R.M. Hamilton award 1992, the Newcastle Invitation Art Purchase award for painting 1988, and the Freemantle prize for Drawing 1986.

His work is cited in over 65 published books and catalogues and a further 92 journals, magazines and newspaper reviews, and is represented in most state galleries and in numerous regional, corporate and tertiary collections as well as private collections in Australia and internationally.

Qualifications

BA 1978; MA 1996.

Research

Peter is known for his innovative use of animal imagery and his Dada and Surrealist philosophy. He invents hybrid creatures, humanises existing animals, brings out the animal in people and combines characteristics in both always with an idiosyncratic or bizarre twist.

Research interests include: Contemporary Art; Ancient Art and Archaeology; The History, Literature, Art, and Theory of Dada and Surrealism; Drawing, Painting, Artists Books; The Natural World; and Free Music and Sound

School of Art Research Cluster

Art and Environmental Sustainability
Art, Knowledge and Globalization

Research Outcomes

Exhibitions

  • 2002 - Holiday In Minsk (Solo), Mass Gallery Melbourne
  • 2002 - The All Powerful Owl, The Window of Opportunity Gallery, RMIT University

Curated Exhibitions

  • 2004 – Paper Animals, animals as metaphore
  • 2004 - Multiple Miscellaneous Alliances, Clubs Project Space
  • 2004 - The 2004 Gonju International Art Fair, Lim-Lip Museum, Chugnam Korea curated by Dr. K. Young
  • 2004 - Three visions-Works by Greg Moncrieff, Peter Ellis, Robin Kingston, Sunshine Hospital
  • 2004 - 45 Drawings, The Window of Opportunity Gallery RMIT University
  • 2003 - Other Worlds, Images of Fantasy and Fiction, Queensland Art Gallery, curated by D. Burnett
  • 2003 - Early works on Paper- By Jon Cattapan and Peter Ellis, Gallery Irascerble Melbourne

Citations

  • 2003 - J. Zimmer, The Crosley Gallery 1966-1980, Macmillan Lyre Bird Press 2003
  • 2002 - J. Duncan and L. Michael, Monash University Collection- Four Decades of Collecting, Monash University Museum of Art,2002

Published Sound Works

  • 2004 - Sonic Zoo, an AND recording, recorded live by Dr. Phil Edwards, Peter Ellis, Jon Cattapan, The Victorian College of the Arts, 2004
  • 2003 - The Tuesday Sessions, an AND recording, Phil Edwards, Peter Ellis, Masterd by S. Mcphee, Decibel Sound, Melbourne. 2003

Guest Speaker

  • 2005 – The Domanique Segan Drawing Prize, Castlemaine Arts Festival
  • 2005 - Figment, Fragment, The Recent Prints by Heather Shimmen, Gallery 101 Collins St. Melbourne.
  • 2004 – The New Family, The Art of Adam Lee, Smyrnios Gallery, Melbourne

Research Supervision

Adam Lee, MA, “Social and Cultural Realities; The visual exploration of different social, cultural and spiritual experiences and environments in both the third world and the west, as metaphor for the human condition.”

Samuel Leach, MA, “The Value of Wealth; Representing Contemporary Corporate Space.”

Ian Woo, DFA, “Contrapuntal Delays: Multiplicity and temporality analyses of word, sound and image as a continuous presence in contemporary art.”